Since you are so very fond of lump sums,  I will let you have the works I have mentioned for a fee of 250 gold  ducats.  But I will not reduce this  figure, particularly as with the help of my brother I could obtain more in  Vienna.  Would to Heaven that in order to  get some money out of you I had not always to wrestle with you first.   You are receiving herewith the first consignment  of works which are to appear before September 1, 1810, and which consists of a  violin quartet in Eb, a fantasia for pianoforte, two sonatas for  pianoforte, five variations for pianoforte and six ariettas [Opus 74, 77, 78,  79, 76, and 75] – 
        
        
                  The second consignment consists of a  concerto in Eb, the fantasia with full orchestra and choruses – and three  ariettas.  All these works are to appear  on November 1, 1810 [Opus 73, 80, 83]
        
        
                 The third consignment consists of the  characteristic sonata: Der Abschied, Abwesenheit, Das Wiedersehen [Opus 81a] –  and also of five Italian ariettas [Opus 82], and also of the score of Egmont  which is not being published in England and which you may publish if you like.
        
        
                 These can appear on February 1, 1811.
        
        
                 You will receive these two consignments  within a fortnight.  Therefore, as I  shall send the last two consignments to Herr Kunz & Co, you may send me the  draft now for the amount to be paid to me here –
        
                                                                                                                In  haste,
                                                                                                                       Beethoven
                                                                         NOTES
        
          Egmont is entirely your  property.
        
        
                 So that you may receive them without  delay, I have despatched [sic] at once to Herr Kunz & Co. the works  belonging to the first consignment.  Let  me add that for several reasons I am convinced that the works mentioned in the  first consignment could not possibly appear in London about this time, and  still less that a copy of them could reach Germany – The same statement applies  to the other works.  But certainly it is  absolutely essential for your commercial profit that these works should appear  on September 1st, I mean, of course, the works belonging to the  first consignment.  You will find the  manuscripts together with the copied works, an arrangement which I have  considered most desirable –
        
        
                 I have too little time to deal with all  the points which keep on occurring to me.   I will write more very soon.   Accept my good wishes and do reply quickly.
        
                                                                                              Your  devoted servant
                                                                                                                 Beethoven